52 pedals, week 23—Randall RGOD

Hi. Remember me? I used to write regularly about the guitar pedals I desired. There would be 52 of them eventually. The aim—never really set in stone—was to release a post a week. That way it’s easy for me to manage and hopefully not too much for anyone paying attention to deal with as I post the links to social media. Well, the real world got in the way. My day job has been keeping me occupied and I’ve been enjoying a real social life—that’s not something I’m going to apologise for. I also purchased a Randall RD5C tube amplifier. That’s seen me playing guitar instead of writing about it—also not something I’ll apologise for.

Having mentioned all of that, I feel it’s time to get back into the swing of things. So today I reintroduce the 52 pedals series with the Randall RGOD pedal. If figure Randall is partially to blame for my recent writing departure. they should be responsible for my return. I want the RGOD pedal! 52 pedals, week 23—Randall RGOD

52 pedals, week 22—Red Panda Context

I had lunch with friends today and mentioned that I’d once made a logo that had a panda in it for no apparent reason. The logo also featured red writing because I wanted to recognise that the black and white panda—clearly my favourite—had a relative known as the Red Panda. The fact that the logo I’d made was for a marketing department that had nothing to do with pandas was irrelevant*. That’s fitting really, because this introduction has absolutely nothing to do with this week’s wishlist pedal.

Well I suppose I could reference the fact that the manufacturer of this week’s pedal is called Red Panda. That may give the introduction some context. The fact that this week’s pedal is named Context probably helps too.

What do you know? I made it work. To the article! 52 pedals, week 22—Red Panda Context

52 pedals, week 21—Keeley Phase 24

Tonight (sometime) here in Sunny Queensland—that’s in Australia for the geographically challenged—a large portion of the adult population is going to be fixated on a little sporting event called State of Origin. Me, I could care less. I’m not phased at all. The only thing that phases me is a good guitar pedal. Particularly a good phase pedal. Good thing I discovered the Keeley Phase 24 then! It’s delivering 2 and 4 stage phasing like nobody’s business. I think it may be in a league* of its own.

* Yes, this week’s article is going to full of football puns. We’ll all have a ball! 52 pedals, week 21—Keeley Phase 24

52 pedals, week 19—JOYO Gate of Kahn (Noise Gate)

If you’ve been sticking with me for this year’s series of 52, then you’ll have noticed a few things. Firstly, I’m often behind in my scheduled weekly posts. Secondly, I’ve been focusing a lot on overdrive and distortion pedals. I can’t help it. I love distortion and overdrive (in that order to be honest). But a good part of any overdriven sound is the silence in-between. That’s why today I’ve decided to cut all unnecessary noise by suggesting I’d like the JOYO Gate of Kahn (Noise Gate).

You can therefore expect this week’s article to be a lot shorter as well. Less noise and all. 52 pedals, week 19—JOYO Gate of Kahn (Noise Gate)

52 pedals, week 18—EC Pedals Time Traveler Delay

Don’t you hate it when your plans for weekly blog posts go to hell in a handbasket? Don’t you also hate it when a phrase or saying makes little to no sense? Hell in a handbasket … Hell would burn a handbasket.

Now I feel like I need to go back in time to fix the introduction to this article and to write this post last week when I should have. Well I can’t. But I can write about how cool the Time Traveler Delay by EC Pedals appears to be.

There we go. That introduction worked out fine after all. 52 pedals, week 18—EC Pedals Time Traveler Delay

52 pedals, week 17—Overdrive No.30 w/ Allen Bradley’s (Star Wars Editions)

Once again I find myself playing catch-up on my weekly Blog posting. I don’t know why I can’t keep up. It’s not like I’m off saving the universe or anything. Although, if I were, today would be the day I’d do it. For those of you unaware, today is May the 4th (AKA Star Wars Day). Why?

May the Fourth be with you.

I love this day. It’s also the main reason I decided to add this week’s pedal when I did. The Overdrive No.30 w/ Allen Bradley’s (Star Wars Editions) pedal by Midnight 30 Music is an awesome sounding overdrive pedal that is hand built in upstate New York. Everyone loves a good hand made American pedal. 52 pedals, week 17—Overdrive No.30 w/ Allen Bradley’s (Star Wars Editions)

52 pedals, week 16—Pro Tone Pedals Paul Masvidal Signature Chorus

It’s been a while, but I figured it was time to step away from the usual overdrive and distortion pedals. I don’t want to step too far away so I’m going with a brand I know and trust from the realm of guitar pedals. A brand that produced one of my all-time favourite distortion pedals—Skumstortion.

Pro Tone Pedals knows how to make awesome looking and awesome sounding guitar pedals. Knowing that, I am confident that the Paul Masvidal Signature Chorus pedal would be an amazing pedal to add to my collection. Truth be told, Skumstortion and a good chorus would be all I’d need for the majority of music I like to play. 52 pedals, week 16—Pro Tone Pedals Paul Masvidal Signature Chorus

52 pedals, week 15—F-Pedals EK-Edstortion

I may have mentioned last week that I am writing a lot about distortion pedals this year. I can’t help it. They’re awesome. One thing I haven’t done a lot of this year though—and to be honest this is appalling—is write about some of the cool things I came across at the 2015 Winter NAMM. I saw so much amazing gear. Pedals? I saw plenty. Distortion pedals in particular? Plenty. Distortion pedals that didn’t require standard power to function? Just one—the F-Pedals Edstortion. It’s a tiny little power house that brings its own power. Nifty right?! 52 pedals, week 15—F-Pedals EK-Edstortion

52 pedals, week 14—Vox V8 Distortion

I’m only 14 weeks into my current 52 Pedals series and already I have a predictable theme going on—Distortion. Maybe that’s because I like heavy metal. Maybe it’s because distortion is my favourite kind of guitar noise. Whatever the case, I simply don’t care. It’s a theme I have going these days. If I like something, I like it unapologetically. It’s probably a bit like people who say “To Hell with fuel prices! To Hell with the economy! I want a V8 engine!”

For those people and me, it’s likely that the Vox V8 Distortion is a perfect fit. I wonder if it’s an automatic or a manual? 52 pedals, week 14—Vox V8 Distortion